
The first impression left by Mrs. Lyons was one of extreme beauty. Her eyes and hair were of the same rich hazel colour, and her cheeks, though considerably freckled, were flushed with the exquisite bloom of the brunette, the dainty pink which lurks at the heart of the sulphur rose. Admiration was, I repeat, the first impression. But the second was criticism. There was something subtly wrong with the face, some coarseness of expression, some hardness, perhaps, of eye, some looseness of lip which marred its perfect beauty. But these, of course, are after-thoughts. At the moment I was simply conscious that I was in the presence of a very handsome woman, and that she was asking me the reasons for my visit. I had not quite understood until that instant how delicate my mission was.
“I have the pleasure,” said I, “of knowing your father.” It was a clumsy introduction, and the lady made me feel it.
“There is nothing in common between my father and me,” she said. “I owe him nothing, and his friends are not mine. If it were not for the late Sir Charles Baskerville and some other kind hearts I might have starved for all that my father cared.”
“It was about the late Sir Sir Charles Baskerville that I have come here to see you.”
The freckles started out on the lady’s face.
“What can I tell you about him?” she asked, and her fingers played nervously over the stops of her typewriter.
“You knew him, did you not?”
“I have already said that I owe a great deal to his kindness. If I am able to support myself it is largely due to the interest which he took in my unhappy situation.”
“Did you correspond with him?”
The lady looked quickly up with an angry gleam in her hazel eyes.
“What is the object of these questions?” she asked sharply.
“The object is to avoid a public scandal. It is better that I should ask them here than that the matter should pass outside our control.”
She was silent and her face was still very pale. At last she looked up with something reckless and defiant in her manner.
“Well, I’ll answer,” she said. “What are your questions?”
“Did you correspond with Sir Charles?”
“I certainly wrote to him once or twice to acknowledge his delicacy and his generosity.”
“Have you the dates of those letters?”
“No.”
“Have you ever met him?”
“Yes, once or twice, when he came into Coombe Tracey. He was a very retiring man, and he preferred to do good by stealth.”
“But if you saw him so seldom and wrote so seldom, how did he know enough about your affairs to be able to help you, as you say that he has done?”
She met my difficulty with the utmost readiness.
“There were several gentlemen who knew my sad history and united to help me. One was Mr. Stapleton, a neighbour and intimate friend of Sir Charles’s. He was exceedingly kind, and it was through him that Sir Charles learned about my affairs.”
"Great God!" cried d'Artagnan, loosing his hold of her dress, and remaining mute, motionless, and frozen.
But Milady felt herself denounced even by his terror. He had doubtless seen all. The young man now knew her secret, her terrible secret--the secret she concealed even from her maid with such care, the secret of which all the world was ignorant, except himself.
She turned upon him, no longer like a furious woman, but like a wounded panther.
"Ah, wretch!" cried she, "you have basely betrayed me, and still more, you have my secret! You shall die."
And she flew to a little inlaid casket which stood upon the dressing table, opened it with a feverish and trembling band, drew from it a small poniard, with a golden haft and a sharp thin blade, and then threw herself with a bound upon d'Artagnan.
Although the young man was brave, as we know, he was terrified at that wild countenance, those terribly dilated pupils, those pale cheeks, and those bleeding lips. He recoiled to the other side of the room as he would have done from a serpent which was crawling toward him, and his sword coming in contact with his nervous hand, he drew it almost unconsciously from the scabbard. But without taking any heed of the sword, Milady endeavored to get near enough to him to stab him, and did not stop till she felt the sharp point at her throat.
She then tried to seize the sword with her hands; but d'Artagnan kept it free from her grasp, and presenting the point, sometimes at her eyes, sometimes at her breast, compelled her to glide behind the bedstead, while he aimed at making his retreat by the door which led to Kitty's apartment.
Milady during this time continued to strike at him with horrible fury, screaming in a formidable way.
As all this, however, bore some resemblance to a duel, d'Artagnan began to recover himself little by little.
"Well, beautiful lady, very well," said he; "but, PARDIEU, if you don't calm yourself, I will design a second FLEUR-DE-LIS upon one of those pretty checks!"
"Scoundrel, infamous scoundrel!" howled Milady.
But d'Artagnan, still keeping on the defensive, drew near to Kitty's door. At the noise they made, she in overturning the furniture in her efforts to get at him, he in screening himself behind the furniture to keep out of her reach, Kitty opened the door. D'Artagnan, who had unceasingly maneuvered to gain this point, was not at more than three paces from it. With one spring he flew from the chamber of Milady into that of the maid, and quick as lightning, he slammed to the door, and placed all his weight against it, while Kitty pushed the bolts.
Then Milady attempted to tear down the doorcase, with a strength apparently above that of a woman; but finding she could not accomplish this, she in her fury stabbed at the door with her poniard, the point of which repeatedly glittered through the wood. Every blow was accompanied with terrible imprecations.
"Quick, Kitty, quick!" said d'Artagnan, in a low voice, as soon as the bolts were fast, "let me get out of the hotel; for if we leave her time to turn round, she will have me killed by the servants."